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Standalone

Dark | Psychological Thriller | Romance
These Tears
ISBN:
Word Count:
~180.000
Paperback size:
5.5x8.5
Release Date:
September 26 2026
Not wanting to face my demons, I turned to volunteering, which fed my craving for artistic photography. When I joined a prison rehabilitation programme, I didn't expect the silent inmate with the sky in his eyes, a murder charge stamped to his name and the tongue of a poet. One photograph became letters. Then more frequent visits. Then something far more dangerous.
Because the moment I realised what Elias Crane truly was…
He was no longer behind bars.
And I was no longer free.
These Tears is a dark psychological captive romance set in the frozen wilderness of Norway. It explores trauma, obsession, emotional manipulation, and morally grey love with – graphic content and non-con themes. Perfect for fans of Pam Godwin’s Frozen Fate trilogy, Ana Huang’s Twisted Games, and Still Beating by Jennifer Hartmann.
Tropes
✓ Captive Romance
✓ Dub-Con/Non-Con
✓ Possessive Antihero
✓ Enemies-To-Lovers
✓ Forced Proximity
✓ First Person POV
✓ Coercive Control
✓ Amateur Sleuth
✓ Claustrophobic Intimacy
✓ Slow-Burn
✓ Survival Romance
✓ Prison Romance
✓ Photography as Kink/Exhibitionism
✓ HEA
✓ Cat-and-Mouse
✓ Fake relationship
Trigger Warnings
Emotional and sexual manipulation, Coercion and extreme power imbalance, Gaslighting and blame-shifting, Psychological abuse and control disguised as care, Patricide, Implied childhood abuse, Prison setting, Depictions of incarceration and dehumanising systems, Criminal investigation and legal manoeuvring, Obsessive and possessive behaviour, Inmate romance, Kidnapping and abduction, Threats of mass violence, Non-consensual touching and manhandling, Non-consensual kissing, Dubious consent and coerced compliance, Sexual coercion and commands in a confined space, Sexualised use of bodily functions, Loss of bodily autonomy and violation of privacy, Photography as fixation, Photography during sexual and intimate contexts, Exhibitionism and objectification through the camera, Emotional dependency and trauma bonding, Guilt and self-blame, Low self-worth and feelings of unlovability, Cheating and fallout from infidelity, Family invalidation and lack of support, Anxiety and panic attacks, Spiralling intrusive thoughts, Fear of being killed by the love interest, Threats of future harm framed as fate, Moral ambiguity around guilt and innocence, Graphic description of violent crime aftermath, References to stalking and monitoring, Emotional whiplash between tenderness and menace, Public emotional masking, Forced proximity, Physical restraint, Harsh language and explicit profanity, Alcohol use under emotional duress, Coerced drinking, Religious and philosophical references in dark contexts, Discussions of darkness, monstrosity and moral corruption, Depictions of therapy and mental health struggles, Withdrawal from support programmes, Symbolic use of chains, shackles and tattoos, Survival themes in hostile winter environments, Snow desert conditions and hypothermia risk, Isolation and remoteness, Non-con, Exploration of kink involving the camera, Emotional manipulation under the guise of love or salvation, Hero’s self-identification as monster, Exploration of love as possession and lifelong claim, Claustrophobic scenes, Micro-aggressions and subtle intimidation, Manipulative tenderness following cruelty, Threat of escalation, Dark eroticism entwined with trauma, control and fear, Forced public couplehood and forced affection, Fake relationship and forced engagement cover, Fugitive and on-the-run romance, Hostage-terror threat scenario, Conditioning through praise and obedience language, Forced domesticity and coerced survival labour, Cold-exposure punishment and “prove you can’t leave” control tactic, Epistolary intimacy and letters-as-foreplay, Biting and blood-as-threat in intimacy



